INTERNATIONAL VIDEOART FESTIVAL "BETWEEN ISLANDS"
  • INFO
    • About / Sobre
    • Spaces / Espacios
    • Team & Contact / Equipo y Contacto
  • FIRST EDITION
    • Baleares >
      • "Sisif" (2014)
      • Artist / Artista
      • Curator / Comisario
    • Canarias >
      • “La travesía” (2014)
      • Artist / Artista
      • Curator / Comisario
    • Cape Verde >
      • "Djaforgu na 1 minutu" (2013)
      • Artist / Artista
      • Curator / Comisario
    • Cuba >
      • “Bojeo” (2006-2007)
      • Artists / Artistas
      • Curator / Comisaria
    • Haiti >
      • "Imagine if you woke tomorrow and all music had disappeared" (2011)
      • Artist / Artista
      • Curator / Comisaria
    • Taiwan >
      • “Adjective” (2010)
      • Artist / Artista
      • Curator / Comisaria
  • Canarias
    • "First we take Berlin [?]" (2014)
    • Artist / Artista
    • Curator / Comisario
  • Isla Margarita
    • "Buscando horizontes" (2013)
    • Artists / Artistas
    • Curator / Comisaria
  • Madeira
    • "Belladonna" (2015)
    • Artist / Artista
    • Curator / Comisario
  • New Zealand
    • "Destination Pioneer City" (2012)
    • Artists / Artistas
    • Curator / Comisario
  • Puerto Rico
    • "Meaningless work" (2005)
    • Artist / Artista
    • Curator / Comisaria
  • Sicily
    • "Having Fun Not Learning" (2015)
    • Artists / Artistas
    • Curator / Comisaria
Picture
Serena Ribaudo (Italy, 1978).
 
Serena Ribaudo graduated with a degree in Art History as part of the DAMS coursework (Art, Music and Spectacle) at the Department of Humanities and Philosophy of the University of Palermo. She is an art historian and critic. Ribaudo organizes, curates, and handles the scientific and technical coordination of contemporary art exhibitions for public and private organizations. She collaborated with the Area Bioethics Art established by the UNESCO Chair in Bioethics and Human Rights based at the Pontifical Athenaeum Regina Apostolorum and the European University of Rome. She has also written studies on the sixteenth century. Ribaudo edits the Filo-Arte (Contesti) book series that investigates the complex relationship between art and philosophy, and she contributes to the periodical Expoarte. Recently she has curated exhibitions and art events staged at historical venues in order to promote the dialogue between contemporary art and the artistic and architectural heritage of the past. The most recent exhibitions she curated include Progetto Pompei, MIA Fair, Milan 2015; Giovanni Gaggia-Inventarium, Palazzo Costantino, Palermo 2015; Luciano Sozio-Getting There, PAN-Palazzo delle Arti Napoli, Naples 2014; Otherwhere, AICA-Andrea Ingenito Contemporary Art, Milan 2014; Anima Pura, Palazzo Costantino, Palermo 2014.


Serena Ribaudo (Italia, 1978).

Serena Ribaudo se graduó en Historia del Arte como parte de los cursos DAMS (Arte, Música y Espectáculo) en el Departamento de Filosofía y Letras de la Universidad de Palermo. Ella es historiadora del arte y crítica. Ribaudo organiza, comisaría y se encarga de la coordinación científica y técnica de exposiciones de arte contemporáneo para instituciones públicas y privadas. Colaboró ​​con Area Bioethics Art establecida por la Cátedra UNESCO de Bioética y Derechos Humanos, con sede en Pontifical Athenaeum Regina Apostolorum y la Universidad Europea de Roma. También ha escrito estudios sobre el siglo XVI. Ribaudo edita Filo-Arte (Contesti), una serie de libros que investiga la compleja relación entre el arte y la filosofía, y contribuye a la publicación Expoarte. Recientemente ha comisariado exposiciones y eventos de arte en lugares históricos con el fin de promover el diálogo entre el arte contemporáneo y el patrimonio artístico y arquitectónico del pasado. Entre las exposiciones comisariadas más recientes se incluyen Progetto Pompei, MIA Fair, Milán 2015; Giovanni Gaggia-Inventarium, Palazzo Costantino, Palermo 2015; Luciano Sozio-Getting There, PAN-Palazzo delle Arti Napoli, Nápoles 2014; Otherwhere, AICA-Andrea Ingenito Contemporary Art, Milán 2014; Anima Pura, Palazzo Costantino, Palermo 2014.
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